Work is a sybolic joining the social campaign. ‘Black tears’, which was initiated in 2016 by Women's Protest. This action supports human rights protests and demonstrations. Her hallmark - a black tear - refers to the symbolism of prison tattoo, in which a tear on the cheek means longing for freedom. The installation consists of two multiplied elements - a primitive cutting tool and a string. According to scientists, these are the only objects necessary for man to survive in extreme conditions. The project was presented in the space of the ArchaeologicalMuseum. The choice of this place is not only an obvious reference to the key element of the installation, i.e. the biface, but also a reminder of the fact that the violation of human dignity has a long history.

The work consist of two elements: a sound installation entitled ‘Open Conscience Surgery’ and an interactive installation called ‘Getting into the Skin’. The artist uses these two elements to diagnose the existence of an epidemic of callousness, which manifests itself in the lack of consideration to the suffering, needs and feelings of others. Especially in a big city, life is a constant training to ignore various stimuli, to be indifferent and insensitive. By using her private story, the artist exposes the phenomenon of callousness and prompts the audience to reflect on their own attitude to violence. The sounds coming out of the loundspeaker are shreds of interviews with the artist’s relatives and friends answering her question (which she was ultimately unable to ask directly) about why they never reacted even though they knew that her father was using violence against his family. The laboratory dishes containing imitation of bruises allow the audience to symbolically get into the skin of victim of domestic violence.

'The core of this exhibition taking place in the Nationwide Mathematics Year (2019) are patterns and formulas, understood as formal expressions, equations or symbolic entries. The artists invited to participate in this exhibition break however, with a natural for them creative easiness, this rigid mathematical, physical or chemical schemes and formulas and present equations also in a form of repetitive geometrical sets, traces of movement, frames of reference, ideal forms or specific measurements. Although a starting point here is the science, what we also receive is a true poetry of the sign, full of subtle puzzles as well as conceptual and visual metaphors.'
Fragment of a curatorial text by Jakub Jernajczyk and Alicja Jodko

'The core of this exhibition taking place in the Nationwide Mathematics Year (2019) are patterns and formulas, understood as formal expressions, equations or symbolic entries. The artists invited to participate in this exhibition break however, with a natural for them creative easiness, this rigid mathematical, physical or chemical schemes and formulas and present equations also in a form of repetitive geometrical sets, traces of movement, frames of reference, ideal forms or specific measurements. Although a starting point here is the science, what we also receive is a true poetry of the sign, full of subtle puzzles as well as conceptual and visual metaphors.'
Fragment of a curatorial text by Jakub Jernajczyk and Alicja Jodko